{"id":1439,"date":"2017-10-21T23:53:45","date_gmt":"2017-10-21T21:53:45","guid":{"rendered":"http:\/\/edicionesdelantal.es\/product\/osm34\/"},"modified":"2025-01-29T06:59:38","modified_gmt":"2025-01-29T05:59:38","slug":"pequena-suite-peninsular-osm33","status":"publish","type":"product","link":"https:\/\/edicionesdelantal.es\/en\/product\/pequena-suite-peninsular-osm33\/","title":{"rendered":"Peque\u00f1a suite peninsular"},"content":{"rendered":"

Peque\u00f1a suite peninsular<\/strong> was written in August 2004 at the request of the quintet of the Uni\u00f3n Musical Society of Almansa (Spain), conducted by David S\u00e1nchez and with the components: Estela C\u00f3rcoles (flute), Nieves (oboe), Aurora Navarro (clarinet), Roc\u00edo Matea (French horn) and Paula Mic\u00f3 (bassoon).<\/p>\n

It is a tonal-modal piece, written mostly in the key of E flat major and its diatonic modes. It is divided in four parts: Prelude, Jota, Mu\u00f1eira and Buler\u00eda, each of which has characteristics of different folk dances of the Spanish geography: the jota<\/strong> from Aragon and Castile, the mu\u00f1eira<\/strong> from Galicia, and the buler\u00eda<\/strong> from Andalusia; the prelude<\/strong> also contains musical elements from the south of Spain.<\/p>\n

Some percussive sounds appear in it, produced by the members of the quintet, which add interest to the evocation of the festive atmosphere of the piece. This is the case of the keys as castanets, the beaten air as a Galician tambourine, or the heel-hits at the buler\u00edas.<\/p>\n

This piece was born to reppresent Spain at the First Meeting of Young European Musicians, held in Bordeaux in October 2004, hence it contains a mixture of several of our folklores. Currently, the piece is part of the regular repertoire of different quintets internationally.<\/p>\n