{"id":3273,"date":"2020-05-17T15:18:33","date_gmt":"2020-05-17T13:18:33","guid":{"rendered":"http:\/\/edicionesdelantal.es\/?post_type=product&p=3273"},"modified":"2025-09-23T09:12:16","modified_gmt":"2025-09-23T07:12:16","slug":"cancion-del-olvidado-asm33n5","status":"publish","type":"product","link":"https:\/\/edicionesdelantal.es\/en\/product\/cancion-del-olvidado-asm33n5\/","title":{"rendered":"Canci\u00f3n del olvidado"},"content":{"rendered":"

CANCI\u00d3N DEL OLVIDADO
\n<\/span><\/b><\/b>(m\u00fasica de Canci\u00f3n del olvidado<\/i>)<\/p>\n

Compilation and translation by Pedro G. Romero and Mar\u00eda Garc\u00eda Ruiz
\nChoral arrangement by Sonia Meg\u00edas<\/p>\n

Me dejan mis compa\u00f1eros,
\ntodos los que quise armar.
\nMe dejan los bellos ojos,
\nlos que ten\u00eda que amar.<\/p>\n

De un nefasto ej\u00e9rcito
\nnadie tiene la memoria,
\ny las palabras del viento
\nsolas dicen nuestra historia.<\/p>\n

Los a\u00f1os me son c\u00e1rceles.
\nYa se van como los r\u00edos,
\nu hojas de los \u00e1rboles,
\nlos amores ib\u00e9ricos.<\/p>\n

Veo muerta toda haza\u00f1a
\nde locura o de raz\u00f3n.
\nLo mejor de nuestra Espa\u00f1a
\nsupo helarme el coraz\u00f3n.<\/p>\n

\n

Introduction to the concert Ten Songs for the Contemporary Social War<\/strong><\/a><\/p>\n

\u00a0 \u00a0 With the publication of this selection of songs, heard in different places different times, we have no other objectives than to make known the Spanish reality of the neo-democratic period, through one of its most popular manifestations: the songs that its main characters sang, reflecting their passions, their ideas, and their anger better than anything else. You can easily understand the Francoist transition towards forms of democratic dominion just by listening to them. How can one realize that the proletariat fighters do not allow themselves to be overcome by sadness when one of them falls, nor do they despair when they are condemned to rot under the walls of a prison. They clench their fists and continue fighting. They are like those warriors of whom Herodotus speaks warning his enemies: \u201cDo not even take the trouble to ask me about the number of them to go out and meet them, because keep in mind that if their army consists of a thousand men, they will give you a battle with a thousand; if less they are, with less they will give it to you, and if they are more, there will be more those who present it\u201d (Polimnia).<\/em><\/p>\n

A GROUP OF ICONOCLASTS, May 1981<\/p>\n

 <\/p>\n

\u00a0 \u00a0 Guy Debord is one of the most lucid political theorists of our time. He coined the term “the society of the spectacle” to refer to a time when everything is image and the image is the most refined form of merchandising. He talks about how every time is divided into production and consumption, how politics has become an appearance and how capital invades and appropriates private and subjective spheres. He did this in 1972, so watching today’s social networks, politics through Twitter, it is easy to understand why he has been considered one of the great thinkers in our time. He was also a filmmaker, and that’s why we dedicated a series<\/a> to him at the Museum and at the C\u00edrculo de Bellas Artes.<\/p>\n

\u00a0 \u00a0 During some visits to our country in the early 80’s, Debord wrote a series of critical couplets about Spain at the late-Franco period and the Transition. Those songs had the shape and the music of the Spanish popular songs, and this is what choruses will perform in this project. The couplets, taken together, are a fresco of the dark spots of the supposed transition from dictatorship to a democratic society, all seen by one of the great theorists of our time. That’s why we were also interested in having them performed by social choruses as a political project.<\/p>\n

\u00a0 \u00a0 Pedro G. Romero and Mar\u00eda Garc\u00eda Ruiz, great connoisseurs of Guy Debord, are the researchers and artists who discovered the songs and are translating and updating them so that Sonia can make the choral arrangements. From this link<\/a> you can see an autobiographical documentary (in French) by Debord himself. Months after Canal Plus aired it, the author committed suicide. We will show it at the Museum the day before the concert.<\/p>\n

Chema Gonz\u00e1lez, head of the Debord Series
\nat the National Museum of Contemporary Art ‘Reina Sof\u00eda’.
\nMadrid, January 2020<\/p>\n","protected":false},"excerpt":{"rendered":"[audio mp3=\"http:\/\/edicionesdelantal.es\/wp-content\/uploads\/2020\/05\/Canci\u00f3n-del-olvidado-TODAS.mp3\"][\/audio]\n

Audio for training (MIDI sound)<\/p>\n

You can download the audio files (mp3) from the following links:
\nVoice 1<\/strong> audio file<\/a>
\nVoice 2<\/strong> audio file<\/a>
\nVoice 3<\/strong> audio 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