La gran soprano Laura Bohn estrena mi obra Shelley III, para voz sola.
New York
NUEVA YORK: I Mono+Graphic @ SoHo Gallery for Digital Arts
Production team:
Merche Blasco, curator
María Marinas, coordinator
Margarita Danielian, catering
Yarisa Colón, special edition for Skins#1
Brian McCann, camera
PROGRAM (with video links):
Barcelona 2010 – Invierno Oblicuo (2010)
CoroDelantal
Skins#1 (2010), dedicated to Patti Kilroy
premiere: Patti Kilroy, violin and loop pedal
Shelley I (2004), dedicated to José Andrés Pérez
Jesse Gilday, clarinet
Mmngieaaou (2006), dedicated to Coro de Voces Bravas
CoroDelantal
Primera Beckettiana (2010), dedicated to Llorenç Barber
premiere: Patti Kilroy and Elvira Martínez, violins
The Time in a Thread (2011)
premiere: CoroDelantal
Cello Mantra (2011), dedicated to Ana Belén Berenguer
premiere: Isabel Castellvi, violoncello, breathing and two bells
Singers at CoroDelantal: Inma Heredia, Thessia Machado, Barbara Scandroglio (sopranos); Merche Blasco, María Marinas, Pilar Carreras (altos); Jorge López, Luisen Elías (tenors); Brian Abbott (bass).
Micro-mecenas at the crowdfunding (alphabetical order): Ramón Abajo, Reyes Álvarez, Paco Aranda, Lucía Arranz, Reyes Arranz, María Barnuevo, Vicente Benlloch, Derek Bermel, Laura Bohn, Alejandra Borjabad, Johanna Bosse, Alice Brunot, María Bustelo, Teresa Cañete, Silverio Carmona, Mercedes Capdevila, Moon Jung Choi, Andrea Cukier, Margie Damele, Claudia Dinep, Ted Efremoff, Carl Far, Isabel García, Manuel García, Pablo Gastaminza, Esther González, Tim Hansen, Pedro Izquierdo, Saúl Jiménez, María Juan, Agatha Kasprzyck, Tanat Kissikov, Slavo Krekov, Aurora Lassaletta, Patrick Lamotte, Francis López, Santiago López Navia, Miguel Malla, Mara Marín, María Marinas, José María Martín, Steve Matysik, Amelia Meléndez, Francisco de Miguel, MªCarmen Miralles, Patricia Molina, Laura Mora, Gustavo Moreno, Juan Ramón Moscad, Antonio Muñoz, Tim O’Hara, Elena Oubiña, Lorena Pajares, Tomás Peire, Pablo Peláez, Annabel Perez, Lucas Ponce, Ginés Reche, Yolanda Remacha, Tania Rodríguez, Miguel Rozas, Mariana Ruiz de Lobera, David Sánchez, Joseph Siegel, Izy Syreh, Cristian Torres, Esther Torres, Teresa Torres, Maximino Vázquez, Kim Wetzel, Christian Woerner, Robin K. Woerner, Marta Zapardiel.
NEW YORK: The Theremin Orchestra @ Cameo Gallery
NUEVA YORK: I Procesión armónica
Closing act of my Fulbright Grant at the New York University.
Curated by professor John Gilbert.
Stickers:
Map:

Pictures:
NEW YORK: Dúa de Pel as invited artists @ NYU

Professor Nancy Shankman invited Eva and me as models of international artists to encourage music educators at their welcome to NYU.
The party for the graduate students of Music Education will be at room 303 of the Steinhart School of Music (my school during my Fulbright fellowship!).
So Dúa de Pel will talk about our careers, ask some questions and give a little recital for them.
NEW YORK: 11th Harmonic Procession
From Empire State Building main door (12pm) to McSorley’s old ale house (1pm), where we’ll celebrate the gathering.
Come with your voice or instrument!
Stickers:
Pictures:
NYC: Workshop “The Craft of Being Present” by Eva Guillamón @ Salon on Kingston
As part of the Dúa da Pel USA Tour 2026, we’re including not only concerts but workshops too.
Don’t miss this fantastic two classes on Presence by Eva!
SCHEDULE:
Friday June 12 from 4 pm to 6 pm
Satuday June 13 from 10 am to 12 pm
Sliding scale (minimum $30)
Everyone interested should contact her directly!
eva@evaguillamon.com
Links:
2026’V’31. Dúa da Pel back at the Salon!! Instagram from Salon on Kingston (Brooklyn, New York)
NYC: Dúa da Pel @ Bowery Poetry Club
NYC: “Reverence & Resistance” by Accord Treble Choir
I’m so pleased to say that from January to May 2026 I’ve been singing as an Alto in Accord Treble Choir, conducted by brilliant Liz Geisewite.
Vídeo:
From the streaming:
Links:
2026’VI’1. Accord concert, May 30 2026, por Divamensch
UNITED STATES: Dúa de Pel’s USA tour

NYC: Artist in Residence @ NYU Espacio de Culturas
From January to June 2026 I’ll be the Artist in Residence at the Espacio de Culturas at the New York University.
I’ll use this grant to create new “rare scores”, to rehearse with CoroDelantal (my aprons chorus) to celebrate our 15th anniversary, and also organize some interviews to local and international artists and curators.




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