Professor Susana Pérez Otero, from the Conservatorio Profesional de Vigo, organized a workshop on my music.
More info: susiperotero@gmail.com
Professor Susana Pérez Otero, from the Conservatorio Profesional de Vigo, organized a workshop on my music.
More info: susiperotero@gmail.com
Thursday, January 30th, 4:30 pm,. Casa Veerkamp Mesones. Mexico City
Friday, January 31st, 8:00 pm. Restaurant Aguamiel. Teotihuacan
Saturday, February 1st, 10:00 pm. Restaurant La Posta Nápoles. Mexico City
Wednesday, February 5th, 7:07 pm. Centro Cultural La Jacaranda. Pátzcuaro (Michoacan)
Thursday, February 6th, 8:00 pm. Centro Cultural Raíces. Mexico City
Friday, February 7th, 8:00. Centro Cultural de España. Mexico City

Show ‘Tableau Sonant’, a mix between sculpture and music, goes to the Museum of the University of Alicante.
Media:
2025’II’25. Europa Press. La compositora Sonia Megías y la artista Susana Guerrero ofrecen su espectáculo ‘Tableau sonant’ en el MUA
2025’II’25. Universidad de Alicante. La compositora Sonia Megías y la artista Susana Guerrero llevan al MUA su espectáculo experimental ‘Tableau Sonant’
2025’II’25. El periòdic. La compositora Sonia Megías y la artista Susana Guerrero llevan al MUA su espectáculo experimental ‘Tableau Sonant’
2025’II’25. Alicante Out. Tableau Sonant en el anfiteatro del MUA
2025’II’21. Revista VEU de la Universidad de Alicante. El MUA acoge el espectáculo experimental ‘Tableau Sonant’, creado por la compositora Sonia Megías y la artista Susana Guerrero
Professor Elena Esteban programs my music at the Royal High Conservatory of Madrid. The concert includes two of my pieces for piano:
Tres cubanías, for piano in 4 manos
Obra para restaurante, for piano solo
Professor Susana Pérez Otero, from the Conservatorio Profesional de Vigo, organized a workshop on my music.
More info: susiperotero@gmail.com

Conde Duque Cultural Center is hosting this meticulous theater workshop in which several teachers are participating.
The Antígona Camp is directed by actress, playwright, and theater director Andrea Jiménez.
My role is sharing lessons about the Greek chorus and about choral experimentation in general.

Links:
CoroDelantal is a vocal experimentation group founded in New York City in 2011, replied in Madrid at the end of 2012, and currently based at the Museum of Contemporary Art of Alicante (MACA) since fall 2021. Conceived and directed by composer Sonia Megías López as a laboratory for developing unusual scores, the chorus operates through collective performances that blur the boundaries between the arts.
The proposal for fall 2025 will consist of a three-month workshop with weekly meetings lasting two and a half hours each. The following collaborations are highlights of this quarter:
– With Madrid-based composer Marisa Manchado, winner of the 2024 National Music Composition Award, who will be our guest artist for the quarter.
– With New York composer John Gilbert, whose Christmas carols we will revisit in collaboration with the Banda Unión Musical de Santa Pola, adapting them to a small format to be performed at the MACA.

Epica Foundation (La Fura dels Baus) invites me to a round table on climate change and culture. How the arts have the power to concienciate about the planet fragility.

Dúa da Pel is a bridge where music and words are tuned and sharpened to discover the target, the exact center, the birth of rhythm—which is the birth of the world. It is a world beyond the one that is always rushing to feed an impossible novelty. In Dúa da Pel, poetry, music, singing, and bodies advance through the clock in a time that is not linear, but vital. Their songs, texts, and performances—which we could well call journeys—launch us into the eye of the wind. They lead us to remember what we thought we didn’t know, to feel that harmony is a reality that comes looking for us when we open our listening. Dúa da Pel connects with a common essence above languages or eras through precise words and musical intelligence. Defining their style is an endless task, much like deciding which country a cloud or a star belongs to.
Their live performance is a path toward the sacred; by sacred, we mean that which is worthy of absolute respect because it is a channel of connection: of the intellectual with the spiritual, the small with the large, the personal with the communal. It is an expanded concept of the singer-songwriter.
The group began in 2014 under the direction of composer Sonia Megías and poet Eva Guillamón. Since then, they have developed an extensive international career in venues such as The Juilliard School of Music in New York, The British Museum in London, The Culture Square Theater in Shanghai, The Yue Opera Town in Shengzhou, The Instituto Cervantes in Tokyo or Various Spanish Cultural Centers (AECID) across Latin America. Their discography has been presented at the Teatro Real (Dúa de Pel, 2018) and the Auditorio Nacional (Madera de pájaro, 2021), both in Madrid.
In Dúa da Pel, all lyrics and poems are created by Eva Guillamón, and all the music and arrangements are created by Sonia Megías.

I’ve the great honor of conducting the Opening Concert-Workshop at the First Art Research Conference at the High Conservatory of A Coruña (Galicia, Spain).
The show will be free and open to all audiences!
Looking forward!
Vídeo of the workshop:
CoroDelantal is a laboratory for choral experimentation that was created in New York City in 2011 by Spanish composer Sonia Megias. After one year of work, the project expanded to Spain (Madrid and Alicante), where it continues running.
We continue celebrating our 15th anniversary with our series of concerts in New York City. For this one, we’ll share stage with solo soprano Ally Christiansen.
* World Premiere
** World Premiere of the video-score for the piece
SOPRANOS: Floor Grootenhuis, Inma Heredia, Thessia Machado
MEZZOS: Mimi Berkova, Ana Fisyak, Marina Garde, Megan Schubert
ALTOS: Ranjit Bhatnagar, Joana Costa, Luisen Elias, Lindsey Williams

Pauline Oliveros was a fabulous composer. Her charisma still resonates in the town of Kingston, north of New York, and dozens of followers attend events organized by IONE, her widow, or by the current Center for Deep Listening.
On November 6 and 7, the Sporting Club de Russafa will screen the documentary Deep Listening: The Story of Pauline Oliveros, directed by Daniel Weintraub. We will divide it into two sessions because, although it has Spanish subtitles, it lasts two hours and it is better to have a discussion and listening exercises after each half.
These meetings are coordinated by Lucía Peiró and moderated by Sonia Megías. With the support of American Space Valencia and the Faculty of Fine Arts of the Polytechnic University of Valencia.
The meetings are free, but you must book your seat at the following link.