Pauline Oliveros was a fabulous composer. Her charisma still resonates in the town of Kingston, north of New York, and dozens of followers attend events organized by IONE, her widow, or by the current Center for Deep Listening.
On November 6 and 7, the Sporting Club de Russafa will screen the documentary Deep Listening: The Story of Pauline Oliveros, directed by Daniel Weintraub. We will divide it into two sessions because, although it has Spanish subtitles, it lasts two hours and it is better to have a discussion and listening exercises after each half.
These meetings are coordinated by Lucía Peiró and moderated by Sonia Megías. With the support of American Space Valencia and the Faculty of Fine Arts of the Polytechnic University of Valencia.
The meetings are free, but you must book your seat at the following link.
CoroDelantal is a laboratory for choral experimentation that was created in New York City in 2011 by Spanish composer Sonia Megias. After one year of work, the project expanded to Spain (Madrid and Alicante), where it continues running.
We’ll start celebrating our 15th anniversary with a series of concerts in New York City. For this one, we’ll share stage with some special guests: flutist Jane Rigler or visual artist Julia Elsas with her Sonic Mud creations.
Next April 25th, a chorus of 40 people from the FMDG music school for blind people and prople with vision loss, will premiere at the Auditorium of the Metropolitan Museum of New York my tactile piece Family Cord, made of 43 meteros of satin ribbon with linen embroiders and ceramic figures.
The piece has been created thanks to the economic support of the school itself and the Consulate of Spain in New York.
Inside the theatre show ‘Los diarios de Manhattan’ by Ricardo Llorca, pianist Rosa Torres Pardo will play my piece Brooklyn Stravaganza, inspired in my first meeting with Ricardo and Rosa, while I was working as a cabaret pianist in the varietes show at Galapagos Club in Brooklyn. I was dressing as a carrot, and the guy I played with was dressing as a rabbit, at the end of our show I shooted him with a gun that I took from the piano.
Arniches Theater presents Ensemble L’Espai Sonor, that under Voro García’s conduction performs pieces by Aureliano Cattaneo, Alberto Posadas and Sonia Megías, plus Sombra del recuerdo by Voro García himself.
We use our own and third-party cookies to ensure the website works properly, measure usage, and improve our services. You can accept all cookies, reject non-essential cookies, or configure your preferences. Cookie policy
Configure cookies
Required for the website to work correctly. They cannot be disabled from this panel.
Help measure site usage and improve its content.
Allow advertising, campaign measurement, or ad personalization.
Store preferences or enable non-essential external content.
You must be logged in to post a comment.