The Museum of Contemporary Art of Alicante (MACA) produces this performance art piece that has Laura Tejeda, Bartolomé Ferrando and Alain Goudard as soloists, and the CoroDelantal MACA as chorus, conducted by Sonia Megías.
‘Cantos de Orfeo’ by artist Elena Asins are a series of phonetic poems that explore the myth of Orpheus and Euridice from a very experimental perspective.
The plectrum orchestra made by plectrum students in Alicante, and conducted by cuban mandolin player Maryla Díaz performs on March 7th for of my Danzas migrantes, for plectrum orchestra with wind and percussion.
My Pequeña suite peninsular, one of my most perfored creations, is originally written for wind quintet. Professor Fernando Bustamante asked me to adapt ir for plectrum quintet and this will be this version’s premiere.
Performers at the premiere:
María Jiménez (mandolin)
Sara García (mandolin)
Ariadna Vargas (mandolin)
Fernando Bustamante (mandola)
Naim García (guitar)
Antonio Pintado (guitar)
Ángela Huete (guitar)
Teresa Escribano (double bass)
Professors Susana Pérez Otero (piano) and Oscar Rodríguez Calvo (double bass) will play my most performed piece ever: Tango nº 2, from series Tres tangos.
In this documentary film, Mairea Seguí Buenaventura explores the heritage of women artists from the 1960s to now. Using works from the Frac Centre-Val de Loire collection, as well as encounters with videographers, architects, and photographers in France and Spain, the artist provides an immersion in the environments of militant creation and collective experimentation. This journey through creative processes bears witness to a strong feminist and activist commitment found in both the subjects and the lives of the protagonists she investigated. By showing the emblematic and crucial contribution of these artists to art history, Mairea Seguí Buenaventura tells a new, matrimonial story of artistic creation and reception.
It’s a honor that I’m one of those women artists in the documentary!
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