Gran CoroDelantal, formed by members of the CoroDelantal of New York, Madrid and Alicante, will perform this event at the American International Institute.
The show will be composed of sound walks, tactile scores, video scores…
We will count as soloists with pianist Rosa Torres-Pardo and soprano Ana Zurita.
Gran CoroDelantal en el CIMAR de Santa Pola, 2022’XI
Gran CoroDelantal premieres the video-score Sonata, co-created by Eva Lootz and Sonia Megías. This will be at the Círculo de Bellas Artes Cultural Center in Madrid. Eva Lootz was our invited artist at the CoroDelantal MACA (Museum of Contemporary Art of Alicante) during Winter 2022 workshop.
The workshop consists of an encounter between movement, sound and matter. A work of plasticity, which will bring to the scale of human bodies the grids, cradles and other geometries of Eva Lootz’s string figures. How will the patterns of play, their nature, and the string itself influence the voice and the body? This is the starting point of a research work between the dancer Alicia Narejos, the plastic artist Eva Lootz and Sonia Megías, conductor of CoroDelantal. The experiment was born in the MACA in Alicante and will be developed in places like the Círculo de Bellas Artes in Madrid.
The first show will be on Sunday 12th at 13:00 at Museo de Arte Contemporáneo de Alicante.
The Vociferio festival, coordinated by David Transhumante at the Centro del Carmen Cultura Contemporánea, is the most important in the Valencian Community as far as poetry is concerned.
The Museum of Contemporary Art of Alicante (MACA) produces this performance art piece that has Laura Tejeda, Bartolomé Ferrando and Alain Goudard as soloists, and the CoroDelantal MACA as chorus, conducted by Sonia Megías.
‘Cantos de Orfeo’ by artist Elena Asins are a series of phonetic poems that explore the myth of Orpheus and Euridice from a very experimental perspective.
The plectrum orchestra made by plectrum students in Alicante, and conducted by cuban mandolin player Maryla Díaz performs on March 7th for of my Danzas migrantes, for plectrum orchestra with wind and percussion.
My Pequeña suite peninsular, one of my most perfored creations, is originally written for wind quintet. Professor Fernando Bustamante asked me to adapt ir for plectrum quintet and this will be this version’s premiere.
Performers at the premiere:
María Jiménez (mandolin)
Sara García (mandolin)
Ariadna Vargas (mandolin)
Fernando Bustamante (mandola)
Naim García (guitar)
Antonio Pintado (guitar)
Ángela Huete (guitar)
Teresa Escribano (double bass)
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