At section ReSonancia the figure of Newyorker Composer John Zorn, founder of ‘The Stone’, that was located at Avenue B, close to the house where I lived during academic year…
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You never know what the consequences of a decision might be. Swimming in New York can be a great adventure, just like anything else here. But as the Mesopotamian gods…
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In a society that give “the power” to the most evil beings imaginable, and where “politics” does not mean ensuring shelter and sustenance for the people but rather the exact…
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Soledad de Bengoechea (1849-1894) was a spanish pianist and composer. Far from being limited to the domesic sphere and the 19th century family room, her musical production managed to enter…
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by Patricia Kleinman Pauline Viardot-Garcia (Paris, 1821- 1910) was one of the most influence figures in the european culture in the second half of the 19th century. She was not…
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I know very few people as brave and vital as Beatriz. She´s a fighter who embraces a life of constant reconstruction, rebirth, resolution and resurrection. Doors that open, paths that…
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The fermata is a musical symbol that is used to lengthen a note. Cocolí in El Calderón has Eva Guillamón as performer. The concept and music are by Sonia Megías….
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The triad chords are the basis of Western harmony. They emerge from combining the first notes from the the overtone series, which by default form a Major chord (rather a…
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Ana Romero Flores, representative of the indigenous struggle, tells us from Paraguay about the obstacles that her people find to be recognized and respected. Although the Constitution of the Republic…
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Oriental is Spanish Dance No. 2 by Enrique Granados, originally for piano. The Saxapil Quartet from Altea (Alicante) commissioned me years ago to arrange it for saxophone quartet, and here I share this beauty, which is part of various ensembles’ repertoire. This journey to Granados’ floating worlds is the second ArteSonía gift.
The original piano work is a delight, especially when performed by the great Rosa Torres-Pardo:
We’ll catch Rosa Torres-Pardo for the Palanca section, as she’s a very inspiring musician who has opened paths for all of us dedicated to music.
The Saxapil Quartet from Altea, responsible for today’s ArteSonía, was formed by Ignacio Solana (soprano), Alejandro Juarez (alto), Antoni J.Barber (tenor), and Felipe Zaragozí (baritone), all professors at local conservatories and teaching colleagues at the MUSA summer courses in Altea, directed by Felipe Zaragozí himself (the quartet’s baritone) where I taught composition and improvisation during the summers of 2014 and 2015. I liked Altea so much that I later lived there for a year, what a beautiful place…
The arrangement of Oriental for saxophone quartet is from 2007 and plays with oriental scales, giving a slight twist to the original author’s approach to them. The soprano sax sometimes plays the role of snake charmer, or hypnotic melody, while the others also carry sinuous melodies that create a great sensation of weightlessness. Download the scores from these links:
Below you can listen to my arrangement performed by different ensembles:
Performance by Synthèse Quartet from Salamanca (2018):
Performance by Sax Ensemble from Madrid (2017):
Performance by Ilusax quartet from Madrid (2016):
Let me know if you perform it with your quartets! I’ll be delighted to hear you.
This month, the ReSonance is generated by the great poet Sappho of Lesbos, brought to the stage by Cristina Rosenvinge, Marta Pazos, María Folguera, and a cast of powerful, joy-seeking…
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One of Dúa de Pel’s projects is Cocolí. It’s a character that connects us with simplicity, humor, and absurdity. This initiative began during a trip to the Azores Islands in…
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