Sonia Megías

From March 12th to May 8th 2022, I had my rare scores exposed at the Centro Cultural Juan de Salazar in Asunción (Paraguay).

While the exhibition was running, I could make some guided visits and a final performance with people from workshop ‘Sacar la voz’ (Bring your voice out), in which we read some of the exposed pieces.

Pictures:

Posters.

Cartel

Visitas guiadas

Metatrón, for vídeo and band.

25 Ciudades 50 calles, map-scores for groups of 4 performers and 2 loudspeakers.

Tactile scores: The Time in a Thread, Cuatro caminos and Futhark.

Sainals, signal-scores for 3-voice chorus and recording on the woods of Connecticut.

Series CorAnimales: Mmngieaaou and Retórtolis, graphic scores for chorus that sings animal sounds.

Triangle, for three female singers. Tribute to the dead women at the Triangle Fire (New York) in 1911.

Series Shelley, tribute to Mary Shelley and the Frankenstein creature: Shelley I, for solo clarinet; Shelley II, for solo accordion; Shelley III, for solo voice.

Shelley I – clarinete solo

Shelley II – acordeón solo

Shelley II – acordeón solo

Shelley II – acordeón solo

Shelleys

Grafía cantada, vídeo-score cocreated with Pepe Gimeno.

Contrapunto fonémico, mandala-score to be walked.